The Angel and the Android in the Blinding White City on the Edge of Time

img_20191015_214411This is a concept that I keep returning to in my dreams. It began when I was listening to Lustmord as I travelled through the city at that time of day when it’s so bright everything seems to shimmer. There’s something beautiful yet haunting about it. Horror doesn’t only happen in the dark. I envisioned this utopian city that was for some reason uninhabited. Humanity had reached its peak and then they inexplicably disappeared, leaving only their predecessors and descendants behind. These two in particular are on a journey to find the human race, during which they discover they have a lot in common.

Analysing Alien, 40 Years on. The Alien Script by Dan O’Bannon Page 31-50 – Studio Yutani Livestream

My guest spot on the Studio Yutani analysis of the original Dan O’Bannon Alien script.

Alien by Dan O’Bannon Script/Story Pages 31-50

-Disclaimer- Because of missing pages from the script PDF sourced from AvP Galaxy we have pasted the pages from Daily Script for your reference.

http://www.twitch.tv/muthur9000

Footnotes

pg30

                      STANDARD
Still worried?

ROBY
Oh well... you know me.

STANDARD
I've always respected your opinion,
Martin. If something worries you, it
worries me.

Roby reaches over and changes the slide, to the one of the CRUDELY
DRAWN TRIANGLE ON THE ALIEN CONTROL PANEL.

ROBY
What would you say that was supposed
to mean?

STANDARD
Well... it's obviously intentional...
some kind of attempt at
communication... maybe it's a symbol
that means something to them...

ROBY
But why draw it on the wall?

Roby switches off the projector, sits up, and rubs his face wearily.
He rises and goes to the coffee machine.

ROBY (CONT'D)
(picking a hair out of the coffeepot)
This ship is full of cat…

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Blade Runner 2049 Roundtable – Studio Yutani on Twitch

Night at the Museum- Ahkemnrah Redesign

20429682_1466410200079150_2725686685727947544_nI love the Night at the Museum films and I also love Ancient Egypt, so naturally I was inspired to reinterpret Ahkmenrah’s costume. The goal was to be as historically accurate as possible while still being recognisable.

This took me a couple of months just to research, turns out there’s not a lot of information on clothing from 4,000 years ago. I’m still uncertain of how certain pieces are supposed to be constructed but this is essentially as accurate as possible given the available information. The costume in the film isn’t too far from reality, though it’s evident they were more inspired by Yul Brynner in the Ten Commandments.