Kazuhira Miller Cosplay

Metal Gear Solid V: The Phantom Pain

Costume by me

Photography by Sreeraj Sreenivisan

Edits by me

Location: Fremantle Harbour and Maritime Museum

Nearly four months ago I was nearly killed in a hit-and-run, I have no memory of the incident, nor the week that followed. Since then I’ve had to deal with injuries I don’t remember acquiring, it doesn’t feel real. I have two skull fractures, I am deaf in my left ear (hopefully temporarily), I was in a neck brace because of my fractured vertebrae, but the most debilitating part was my broken right leg with severe lacerations along the tendons. I was robbed of my ability to walk for months. Thankfully I wasn’t in a wheelchair for too long, but whether or not I’ll ever be able to walk properly without needing the crutch is unknown at this point.

While I recovered from the worst of my injuries, I stayed with my family, I didn’t have much else to do but play whatever games I had downloaded on my laptop, and that just so happened to be the Phantom Pain. What I got was an intense exploration of pain, loss and grief, I was shown characters who seemed to understand what I was going through and gave voice to these new feelings I couldn’t articulate. The opening of the game alone was some kind of nightmarish re-enactment of my hospital confinement. But it was Kazuhira that became a kind of spirit guide for me, because of him I feel no shame in my current physical limitations, if I need this crutch forever, so be it, no matter what I’ve lost, a Diamond Dog gets up and keeps on fighting.

I still haven’t been able to return to work, my circadian rhythm is completely unpredictable, so while I continue to recover, and when I’m not sleeping, or playing Metal Gear, I find myself inspired to make costumes again. This costume was entirely sourced in op shops, the only sewing I did was attaching the Diamond Dogs patch to the beret, and tailoring the trousers. I’m not so much interested in making everything from scratch and being 100% accurate to the source material. It’s more fun for me to source pieces, the thrill of the hunt, finding garments that evoke the character, and I just so happened to get lucky. I wasn’t going to make this a girly rule 63, that would be tacky, I wasn’t going to make this crossplay and try to pass myself off as male, that would be inauthentic. I just adapted Kaz’s costume for myself, with all the practicality and dignity his costume entails.

Another stroke of luck was the shoot, it had rained mere hours before we shot, but it was mostly clear skies when we needed it. It was cold, perfect for all the layers I had to wear, and just the right amount of wind to get us a few dramatic flowing trenchcoat shots. There also happened to be a real naval ship in the harbour too, although we couldn’t get too close.

It felt good to return to modelling, and I hope I can bring you more Metal Gear shoots soon.

Cosplay Couture 11th Doctor

From the archives, October 2013:

A cosplay couture interpretation of the 11th Doctor                

Costume (shorts) and styling by Courtney Coulson

Photography by Luke Milton with Sabatomic Photography     

Shot somewhere along Indian Ocean Drive


To me 11’s love for Westerns was something I related to the most and also something that was unique to that regeneration. I think 11 is easily the most schoolboyish, his open enthusiasm paired with his awkward body language definitely makes him “adorkable”. It was fun translating that into this shoot, throwing my posture all about the place! The costume plays up on that boyish theme with the high waisted shorts, the skull bowtie and oversized Stetson. My hair is pretty close to Matt Smith’s so no real challenge there. Like Benedict Cumberbatch, Matt Smith has a great character face, so I had a lot of inspiration when it came to the make-up. There’s very little on the eyes but a bright red lipstick to draw the focus to the lower half of my face as Matt is all chin but he has hardly any eyebrows or eyelashes.

-Courtney Coulson
Initially this wasn’t my ideal location and I had planned to steer clear of the red dirt and the road, cautious that it might feel too Australian. However, seeing Courtney in context led me to shift plans and incorporate all of it, and I’m really glad we did. I feel like the road lends the image more purpose and helps create a sense of vastness while still keeping our focus firmly on the character and the clothes.


– Luke Milton

Cosplay Couture Herbie the Lovebug

Photography by @itzu.me
Car belongs to @inatski

Costume and makeup by me


I think I drew the design for this costume about a year ago, then just this past weekend I finally got to bring it to life with a beautifully restored Beetle at my side. I can’t thank my collaborators enough for helping me with this project, it couldn’t have happened without you.

The design process was simple, I envisioned Herbie as a youthful and cheeky tomboy, I took elements from 1960’s fashion as well as race car driver uniforms and accessories. I looked at the likes of Twiggy and Audrey Hepburn for inspiration. I knew I needed a round hat to really evoke the shapes of the Volkswagen, and the dress is a simple A-line silhouette, it was best to keep things clean and minimal and let the stripes do all the talking.

Cosplay Couture Sherlock

From the archives, October 2013

A cosplay couture interpretation of Benedict Cumberbatch’s Sherlock Holmes
Costume (coat and hat) and styling by Courtney Coulson
Photography by Luke Milton

Translating the BBC Sherlock Holmes into a fashion interpretation was surprisingly easy, it’s such a beautiful and iconic costume to begin with. The coat remains relatively unchanged from the original as does the scarf and purple shirt, though they are made of finer quality materials.All I really had to do was add the leather pants and boots to give it more of an edge.

As for hair and make-up, I made my hair as fluffy as possible, though mine is shorter than Benedicts’, the make-up was fun because Benedict’s face has a lot to draw from. I emphasised my cheeks and my upper lip and eyes and yet kept it subtle to maintain an androgynous look.

We shot in various parts of the city of Perth, most of the locations were lucky discoveries, amazing what you can find when you just wander around.

-Courtney Coulson

This shoot was all about exploring the city and poking around all the back alleys that we’d normally quickly walk past. We were focused on a very urban feel, but then it was nice to veer into the more serene setting of the church steps as well. This was the first time shooting while a lot of other people were around but it’s amazing how comfortable you feel and how much you can get away with while brandishing a camera.

I had no other equipment other than the camera itself so shooting on the exposed rooftop was especially challenging with all that direct sunlight. This was definitely a baptism of fire.

-Luke Milton

Arkham City Bane Cosplay- One Day Build


This was a heap of fun to put together, I was on @thebatminute and one of the hosts, Niall asked if I could make a Bane costume for the promo photo. I couldn’t resist the challenge, in less than a week (and with less than $10) I had to throw this all together and get photos. Couldn’t have done it without the help of Alex for lending me parts of the costume, and helping me to build the rest (more details on the build in another post). And thanks to @sabkitten for shooting this in my apartment today with the most cobbled together lighting setup ever.

Bane is a character that’s always meant a lot to me, but I always dismissed the possibility of cosplaying as him, I’m just a tiny little girl, that would be ridiculous. But I’m beefier now than I used to be. I’m really happy with how these photos came out, I didn’t want to go for a cutesy or sexy version, I just wanted to be Bane, roided out, balls to the wall insane. He’ll blow up your plane. He’s coming for Bruce Wayne. 

Quorra- Tron Legacy Costume

322962_10150385200745028_367955128_o_10150385200745028Here’s another one from the archives, a commission from 2010 to be worn to see Tron Legacy. It did have lights, sadly this is the only photo I still have. Looking back, it’s better than I remembered it, I could do so much better now though. Maybe I will make my own Tron costume one day. Wouldn’t mind being Beck.

This was constructed out of foam, covered in a sheet of latex, the light strips were vinyl.

Galactus Foam Costume

About four years ago I was studying Librarianship and Record Keeping, and for our prac placement we were to create a project for display. I figured I could put my costume making skills to work here and show the students visiting the school library how foam costumes are designed and assembled. It was a big success, the kids really liked me and spent as much time helping me with this project as they were allowed. They even made a petition to bring me on as a full time staff member. I would have loved that but sadly they hired someone else for the opening they had.

Galactus ended up being the perfect choice, I was looking at all sorts of characters that young teens might like and it all seemed too complicated. Where as Kirby’s classic design consists of a lot of simple shapes. It came together easily and it attracted a lot of attention. Continue reading