Tag: peter pan

Cosplay Couture Tinker Bell

From the archives, March 2024:

Cosplay Couture interpretation of Tinker Bell from Peter Pan

Costume and styling by Courtney Coulson

Photography by Luke Milton

Location: University of Western Australia

Tinker Bell is one of those characters that is cosplayed a lot but is hard to do well. Disney makes great business decisions, but sometimes less-than-great creative decisions. The mainstream Tinker Bell has become a spritely valley girl with a posse of fairy friends who are all a vehicle for merchandise. But if you go back to the original book, Tinker Bell is far more volatile. She can be unpredictable, jealous, and vindictive. Tinkerbell has a bite. But there’s also a beautiful, ethereal, otherworldly nature to her. I think our biggest success with this shoot was integrating into our environment and my favourite pictures are those where she is lost in the green.

-Luke Milton

“A girl called Tinker Bell exquisitely gowned in a skeleton leaf, cut low and square, through which her figure could be seen to the best advantage” -Peter and Wendy; J.M Barrie

Tinker Bell has had a fairly consistant, very feminine, silhouette from the beginning. Though she wasn’t the first, she has certainly informed pixies and fairies that came after her visually. I used lace as a nod to skeleton leaves and I imagined she might pick up hints of pollen and other parts of nature, so the sponged on pastel shades are intended to reflect that. As for the wings, the bigger the better! They are constructed from “fantasy film” and wire, by far the most involved aspect of this costume.

-Courtney Coulson

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Cosplay Couture Peter Pan

From the archives, January 2014:

Cosplay Couture interpretation of Peter Pan

Costume and styling by Courtney Coulson

Photography by Luke Milton

Location University of Western Australia

Re-read Barrie’s Peter Pan if it’s been a while. I forgot how clever and twisted it is. Peter is an anarchic supernatural character who does whatever the hell he pleases. We’ve become too familiar with the watered down film versions so, once we returned to the original text, I was especially excited to explore a more tribal and chaotic Pan. Once again we were very lucky with local environments. You could travel quite far to capture this lush, jungle-like wilderness which is really just a patch of garden not too far from here.

– Luke Milton

Disney has the power to completely dominate people’s imaginations to the point that they can’t imagine certain characters any other way. After being pleasantly surprised by Frankenstein I wondered what other classics novels I was missing out on, I love the Peter Pan animated film but it doesn’t quite capture Barrie’s unique way with words nor the darker side of Neverland. Indeed it seems beautiful and inviting but this is a world where there is but a thin line between fantasy and reality and time, there’s this vague implaceable sense of unease.

Peter Pan embodies these qualities, his memories and imagination are interchangeable and he seems to be able to influence his world with his thoughts alone. Peter is ultimately an antihero, he can come off as a sociopath at times because he is so selfish and unempathetic, but these are the qualities of a very young boy, which is fine except he’s really centuries old and the leader of the Lost Boys, there’s an air of danger about him. He’s unpredictable, driven by impulse and seldom listens to reason, he’s also quite powerful.

Barrie is intentionally vague about Peter’s appearance, a beautiful young boy still with his first teeth  and “clad in skeleton leaves and the juices that flow from trees”. So I wanted his environment to influence his costume, not just nature but from what he had scavenged from the pirates and the natives.

As a nod to the Disney film I couldn’t resist adding the bandana as a take on his usual cap, I believe it’s what makes the character instantly recognisable.

-Courtney Coulson

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