Cosplay Couture Lone Ranger and Tonto

From the archives, October 2013, the following descriptions were taken from the three individual posts respectively, but are now collected as one. I still love these photos a lot, this was our most controversial shoot, but that was the point, exploring commodification and appropriation within the worlds of Hollywood and fashion, it should make you feel something. I guess these photos only gathered more controversy given the current state of Armie Hammer and Johnny Depps’ lives in the decade since this film was made:

A Cosplay Couture interpretation of the Lone Ranger

Costume (mask) and styling by Courtney Coulson

Photography by Luke Milton in collaboration with Sabatomic Photography

A life-long love of Westerns meant I was excited to see the Lone Ranger return to the big screen, was it a good movie? Not really, at least not in the conventional sense, but I had fun and it got me excited to explore this new John Reid and Tonto in a fashion context.

Westerns also influence the way I dress, so everything, apart from the hat and the holster, came from my own wardrobe. My hair isn’t too disimilar in terms of cut to John’s, so that was easy, make-up is a heavy smokey eye with everything else minimal, lots of bronzes and gold as they seem to work best in this environment.

-Courtney Coulson

I haven’t seen the film, but I couldn’t resist the chance to shoot a cowboy in a desert and I think Courtney sells the masculinity very well with her body language. (Although I love the contrast of her eyes which are still quite feminine through the mask. Love the makeup on those!). These were shot early afternoon and have a far brighter, overexposed feel than the Tonto shots which are more ethereal. This was more about a desert that was hot and bleak, although I do like how some of them have that fake campiness of an old western film.

– Luke Milton

LONE RANGER AND TONTO

I am certainly no model, and definitely do not have the heroic, manly shape of Armie Hammer. But, just as this Adventure Weekend, cemented our team and the commitment to our work together, it felt very important to me to somehow be a part of it and have that indelible image to remind me of this time. It was a real thrill to be photographed alongside someone that I have photographed so much before. There’s nothing couture about what I’m doing, but try to think of me as the stunning Tonto’s awkward accessory.

I love what Sabatomic has done with these, and the use of the flash gives such a surreal, fake feel to the images, like we’re standing on a set, or against a matte painting. Huge thanks to Sab for her generosity with her time, knowledge and talent, and to Courtney for being patient and helping me pose.


– Luke Milton

A Cosplay Couture interpretation of the Tonto from the Lone Ranger

Costume (pants, wrap belt,beaded choker and crow) and styling by Courtney Coulson

Photography by Luke Milton in collaboration with Sabatomic Photography

Shot at the Pinnacles in Cervantes

A life-long love of Westerns meant I was excited to see the Lone Ranger return to the big screen, was it a good movie? Not really, at least not in the conventional sense, but I had fun and it got me excited to explore this new John Reid and Tonto in a fashion context.

Despite the controversy surrounding the film’s costume, I think it is a really impressive design and I had the most fun reinterpreting it into fashion and wearing it.

The crow head dress was inspired by the millinery of Philip Treacy, it was made from a pair of costume angel wings and a real magpie skull. The pants are brown panama with black vinyl fringing. The necklace was the most challenging part, it took four attempts to get it right, it’s made of suade leather, plastic retic tubes, glass and wooden beads. The wrap belt was also made of suade, I had fun creating that pleated shape. Everything else came from my wardrobe.

Make-up is pretty much the same as Tonto’s although I was less literal with the cracks as you can see all the drawn on “cracks” around the neck and temples. I also added lipstick to give a more feminine touch.

Tonto was the usual cookey Johnny Depp character, but at the same time he could have a seriousness or intensity about him, I decided I would personify that side of him the most.

-Courtney Coulson

I think that cosplay, by nature, is appropriation. And the internet is a wonderful hive mind that excels in getting offended for everybody else. I haven’t seen the film and I have no interest in the off-the-rack Halloween costumes that have everybody riled up. I think context and intent are incredibly important, and our intent was to make something beautiful and surreal in an environment that matched that challenge.

I love Courtney’s stunning interpretation of this much maligned character and I’m incredibly proud of what we shot.

– Luke Milton

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