The Cyclops and the Existential Dread of Being

Two years ago, July 22nd 2022, was the day I was hit by a car and my life changed forever. I refer to it as my Baptism of Pain. I look back on who I used to be before that day and I don’t connect with her at all, she was a lost, frivolous, materialistic, childish girl. 

Then I was thrown straight down to Hell, but I crawled out, my eye wide open. Full of venom.

Is my life better now? Depends on how you define it, my life isn’t happier, or safer, or less lonely. But it is better because I finally see the truth. I see the cruelty human beings are capable of, even family, friends, and doctors. I see now how utterly alone we all are, and any authority you turn to is ultimately looking to exploit you.

I had once walked through life like a dream, believing that we lived in a world of order, and justice, and reason. Always assuming that, should the worst happen, someone would rescue me. Oh, some people pretended to rescue me, but they ended up hurting me worst of all.

No, hope is a mistake, trust is a delusion. 

I saved myself. 

Following the accident, my world became very small, I was just trying to survive, trying to endure the pain. I used to be an avid consumer of stories, not anymore. I don’t connect to much of it these days. But there were two characters I understood and who I could draw strength from. Big Boss of Metal Gear Solid, and Guts from Berserk. Through them I saw the same existential dread reflected, how does one begin again when everything has been taken from you? How does one continue in a life destined for suffering? Why continue struggling day after day when there can be no hope of peace in one’s future?

The answer is, you abandon the very concept of hope and replace it with willpower. I stick around almost out of spite, I’m still standing because I will it so, despite my body’s protestations. 

Wisdom coming at the cost of an eye is a price the god Odin himself paid. It is fitting then that Snake and Guts had their awakenings after their right eyes were blinded. Mercifully, I wasn’t injured so severely, but the Ptosis in my left eye has become a constant feature in my life, almost a trademark. It is the most visible mark of that baptism. 

One might imagine I would become bitter, and angry, and removed from society, and for a while, I was. I had every right to. But no, I later developed my own moral code to live by:

Strength. Truth. Integrity.

I choose to put the love and kindness into the world that I was never shown. I choose to love, and to love fearlessly, with not even the hope of reciprocation or even a thanks. I love you and I want the best for you. I want to help you in the ways I never was. I want you to feel safe and that you can trust me.

I’m not going to let this horrible world defeat me, I am going to defeat it with love.

I cannot be hurt anymore.

Drawing Blood from Stone

“Drawing Blood from Stone”
This is a personal piece I’ve been working on for months, it’s taken me a long time to learn to work with colour.

This image came to my mind fully formed one day. It’s a visual manifestation of how I’ve been treated these past few years by those who I thought I could love and trust.

There are various tellings of Medusa’s story. The one I’m working with says that she was punished by Athena for having an affair with Poseidon. Her only crime was seeking love. And from then on she could no longer be loved, for every heart around her turned to stone.

Metal Gear Triptych: Postscript

I tried to get this comic done in time for the one year anniversary of the hit-and-run on July 22nd. Then I had a power outage in my house for nearly an entire week. Oh well, my life is just a series of challenges. This comic is something of a closer, a postscript, to my journey of healing.

One year ago I nearly died, I couldn’t walk, couldn’t trust my own brain, I was abandoned and threatened by my family. MGSV allowed me to both escape my pain and confront it. I was Venom Snake, waking up with amnesia to a world that didn’t make sense, sadly there was no Revolver Ocelot on a white horse to save me. I was Kazuhira Miller, burned by my own rage, rendered unable to walk, thankfully they were able to put pins in my broken leg and save it. Then there was the nerve damage causing a constant phantom pain all over my body.

I’m stronger now than I was before the accident, I’ve started bodybuilding, and practicing Krav Maga, I’ve nearly returned to full-time work, finally got my driver’s license and I’m trying to join the army reserves. Metal Gear saved me from suicide, it’s inspired my art and costumes and writing, it’s motivated me to live and become something formidable.

All this pain, reminds me of what I am, I’ll live, I’ll become all I need to be.

Metal Gear Triptych II: The Wounds Let the Light In

The Brain Comforts Itself (A trilogy of dreams)

After several traumatic incidents leaving me severely injured and profoundly alone, my subconscious provided me a place in which I could retreat. This place was not devoid of pain or danger. No, each time I visited I was made to overcome a challenge, face some aspect of my real pain, the difference from reality being that I had someone stronger and wiser than I was to walk with me. This phenomenon has been known by shamans all over the world perhaps before the written word itself. The ancients speak of spirit guides and tulpas, beings that visit our minds to provide us with unique guidance. 

This is an ability I’ve had my whole life, but I dismissed my fantasy worlds as childish or shameful. After my near-death experience followed by the most intense dreams of my life, I decided I didn’t want to keep these things locked away in my mind anymore, they don’t deserve to die with me. 

These characters might belong to a video game, but I don’t think that matters, these are the forms my subconscious assumed because these are figures who represent meaningful qualities to me. Snake, Miller, Ocelot, each in their turn taught me something important on my journey to recovery. 

This project took me down all sorts of surprising avenues of research, from the self-insert fantasies of Dante Aligheiri to the dissection of the subconscious by Jung. Our private relationship with our fantasies or even the fiction of others is significant, this triptych demonstrates the providence my own mind offered me as protection from my pain. 

The Dream:

The dreams I had featuring Kazuhira as I recovered seemed to mostly focus on pain and our relationship with it. I struggled often with the urge to harm myself, perhaps as a means of feeling control over my other pains. This is the wisdom Miller imparted onto me after a particularly exhausting day of battling those urges.

Part 1:

https://wordpress.com/post/traviandesigns.com/2793